Sunday is supposed to be a day of the rest, but there’s surely no rest for the wicked, as, with the echoes of Ricky Warwick and the Fighting Hearts Saturday night show still ringing in our ears, ROCKFLESH are back at the Waterloo less than twenty-four hours later. Likewise, many of the same faces are present in the crowd for a second consecutive night of full-force rock n roll. This time round, though, we’re worshipping at the altar of electric, life-affirming sleaze and punk (or a combination of the two), both old and new, with Jizzy Pearl’s Love/Hate and New Generation Superstars.
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Tonight, we witness ROCKFLESH regulars A’priori for the first time since their album launch show for “Voodoo Love” back in September of last year. And as such it is our first chance to see their revamped set that includes new material from that most recent release. It’s clear that in those intervening months the Blackpool trio have put much time into rehearsing and honing the newer songs so that they sit effortlessly alongside the familiar and road-perfected tracks from their back catalogue. ‘Turn It Up’ leads the charge, a never more appropriate song for a Saturday night of good time rock music, and already hands are in the air, voices raised in unison, as A’priori do what they do best, never missing an opportunity to impress.
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Up until now, those who have been ordained to persevere in preserving Queensrÿche’s legacy have opted to avoid the trappings of retrospection. They have left this to their erstwhile frontman and one-person publicity magnet Geoff Tate, who has mined the nostalgia gravy train for all it is worth. Instead of looking back, the post-Tate incarnation of the band (now fronted by the equally golden larynx Todd La Torre) have chosen to surge forward with a flurry of decent releases, culminating in 2023’s rather spiffing “Digital Noise Alliance”.
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Today’s a day of celebration, to raise a glass and salute the launch of Juliet’s Not Dead new album “This World is Ours”, and to get the party started the headliners have brought along two very different support bands.
First to take to the stage are a young five-piece To Nowhere, who deliver a short sharp shock of a set for a Sunday afternoon, albeit in a good way. Their modern alt-rock sound pulls in a myriad of influences; there’s chainsaw riffing, a huge bass sound, a bit of grunge here, but they pull it all together in a way that works well.
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There can surely be few things more exhilarating, more primal, more life-affirming than a night of pure, unadulterated metal. Regardless of whichever is your personal favourite of the kaleidoscope of genres (or sub-genres) that make up modern metal in all its wondrous guises, it remains an ever-changing form that continues to inspire devotion and obsession even now in the 21st Century.
Both bands on tonight’s bill draw from the same well, having their roots firmly in the metal of the eighties, whilst stamping their own personalities on that template, giving the gathered masses a powerful reminder (if one were needed) of just how vital an art form metal truly is.
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“I think my eyeliner’s running…”
There are not many bands that can reduce a hardened rocker to tears.
But when The Damn Truth last played the Waterloo, twelve months ago, that’s precisely what happened. Stood in the crowd with tears in his eyes, he wasn’t the only one to be caught up in the emotion of this incendiary, emotionally charged and supremely talented band. For many, that night was their first time seeing the band, although everyone left a convert, utterly blown away by what they’d witnessed. This time around, the crowd is bigger, no doubt driven by the evangelical fervour that The Damn Truth foster in their fans, a fervour that means you’re going to tell absolutely anyone who’ll listen about just how utterly wonderful they truly are. That so many are gathered in the intimate surroundings of the Waterloo’s Backstage Bar, over ninety minutes before the doors even open is proof of that, if indeed any proof was needed.
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It’s a cold damp evening in between Halloween and Bonfire night. the generals are gathering in their masses at the Waterloo Music Bar in Blackpool. This unlikely foothold in an otherwise sequined obsessed town has quite rightly become a real stronghold on the north-west gig scene. We are here to bear witness to an evening of no frills, uncompromising filthy rock n roll courtesy of the Black Spiders.
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Nostalgia is a potent force. It’s your own personal Time Machine, allowing us to revisit the sounds and the essence of our past exploits. It also has highly redemptive and restorative powers. It allows the whitewashing of career indiscretions and focuses on the highs, while simultaneously burying the lows. Queensryche are case in point, as the 80’s morphed into the 90’s they seemed poised to join Maiden and Metallica in the really big league of metallic heavy weights. “Operation Mindcrime “had position them as the thinking person’s metal band and follow-up “Empire” increased tenfold their commercial clout, thrusting them into arena status. For a short smidgen of time they had the Midas touch and could do no wrong. Then grunge happened.
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Blackpool’s favourite rock n roll rabble-rousers Takeaway Thieves return to their spiritual home, to celebrate the launch of their long-awaited second album “Diamond Point”. The Waterloo’s Sunday Service feels like an apt way to kick off this next stage of the Takeaway Thieves career as we all come together to worship at the altar of good-time rock n’ roll in the company of some of its greatest disciples…
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It’s a Thursday night in Blackpool, the weekend is almost within touching distance and what better way to bring a busy week to a close than to spend an evening in a great venue with an equally fantastic band providing some delicious rock n soul goodness. And no, that’s no typo, I did mean to type rock and soul; for that’s what Xander and the Peace Pirates deliver; music to provide a balm to the heart and mind and all points in between.
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If ever there was a band made of teflon, you would probably call it Tyketto. For over 30 years the lineup changes have come and gone, the fashion for their kind of music has circled around, and the great and good have risen past them only to fall by the wayside. Yet through it all this band remains solid, powerful, uplifting and entertaining. If there have been Issues they just slide away like a freshly-fried egg in a well-seasoned pan. Tonight they are back in Manchester for the umpteenth time, bringing both a local(ish) lad and a not-often-seen band as support.
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The Ferret is making a very welcome habit of putting on the highest quality rock and metal gigs of late, bringing in a fascinating and eclectic mix of bands to their stage and invigorating the Preston scene at the same time. And tonight, is no exception, pulling off something of a coup hosting An Evening with These Wicked Rivers, for their first ever visit to the city.
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Death metal was envisaged as a repugnant knee-jerk reaction to the excess and blatant commerciality of eighties hair metal. It was meant to burn bright and leave a grizzled corpse. However, something caught and nearly 40 years later Death Metal is in rude health. Tonight is an interesting and potent mix of obnoxious upstarts, cult heroes and venerated legends of the genre. Rebellion is heaving and the generational mix is both fascinating and varied.
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As Blackpool basks in what is probably the last gasp of summer, it definitely feels like change is in the air. And if it’s hot outside, in the confines of the Waterloo the sell-out crowd are pushing the temperatures up to the level of a day trip to fifth circle of Hell.
To say there is a level of excitement and anticipation ahead of tonight’s show, would be a colossal understatement. Such is the loyalty and passion that A’Priori inspire, that many have travelled big distances to be here, from the furthest reaches of the country and even internationally to witness the launch of A’Priori’s new album “Voodoo Love”.
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It’s a school night and the Kickin’ Valentina rock n’ roll circus rolls into Blackpool for an evening of rocket-fuelled, high energy sleaze n’ roll, and with the weekend just around the corner the crowd seem intent on starting it a day early. Kickin’ Valentina have forged a hard-won reputation for delivering no-nonsense electrifying live performances, this time around bringing along the effervescent The Midnight Devils, for what is set to be a double-bill of legendary proportions, and another entry into the annals of unforgettable nights at the Waterloo.
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Gypsy’s Kiss hold a special place in the storied history of Iron Maiden, being one of Steve Harris’ earliest bands, and to see them on the same bill as the legendary Paul Di’Anno has to be a Maiden completists dream. Formed fifty years ago Gypsy’s Kiss returned to action six years ago after a decades long hiatus and what is immediately apparent is that the six -piece band certainly still have something to say and play with a verve and flair that belies a half century pedigree.
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Vinyl Tap continues their fine run of bringing the best rock n roll, both international and home-grown to their small but perfectly formed venue in the heart of Preston. And tonight’s bill illustrates that perfectly, with the exquisite grooves of L.A’s The Mercury Riots sharing a stage with Cumbrian heroes, Heartbreak Remedy. And whilst the two may be thousands of miles apart geographically, musically they share a common DNA, a desire to deliver good time, life-affirming rock n roll, that lets you forget your problems and worries for a couple of hours, and leaves you with a grin on your face and a lighter spirit. And tonight, both bands proceed to do precisely that…
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Tonight is ROCKFLESH’s fourth trip of the year to Preston’s Ferret, the recently saved venue seemingly undergoing a brilliant rock/metal renaissance, with a string of top genre bands already under their belt, with more lined up for the second half of 2024. Grabbing international bookings of the calibre of a band like Crypta is quite the coup for the grassroots venue, giving North West death metal devotees the chance to witness this stellar band up close and personal in a sweaty, raucous display performance of epic proportions, as well as cementing their position as the city’s most vibrant live scene.
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Fresh from pulling double duties at the recent Call of the Wild festival, Loz Campbell tonight swaps the fields of Lincolnshire for the bracing seaside air of the Northwest coast. A firm fixture on the circuit over the last few years, Loz and her band have certainly been paying their dues and this constant touring seems to be paying off, as they tear through a strong set with both commitment and style.
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These days Bruce Dickinson is irrevocably tied to Iron Maiden. His air-raid siren shrills and cries of "Scream for me (enter name of town)” are as synonymous to the band as is their gargantuan mascot Eddie. However, for the vast majority of the 90’s he was AWOL, jumping ship in 1993 citing a combination of burnout, musical differences, and inter-band tensions. As the ubiquitous hyperactive kid at the back of the class who always has 16 different projects on the go, Bruce was never one to let the grass grow under his feet. During his six-year sabbatical from, arguably, heavy metal's biggest band he managed to produce four rather spiffing solo efforts (his debut effort, Tattooed Millionaire had appeared pre-split in 1990 and very likely hastened his exit.
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