On paper the billing for this evening’s show feels distinctly skew-whiff. Fit For An Autopsy are on a quite impressive upward trajectory. They have broken free from the confines and the preconceptions of Deathcore and have cemented themselves a berth in the one-to-watch category. Pairing them as a co-headliner with Sylosis on the face of it feels mismatched because, well Sylosis have been around forever without ever really making their mark. It's hard to imagine a British metal scene without Sylosis plugging away in its lower echelons trying to make a name for themselves. Don't get us wrong, we at ROCKFLESH Towers love Sylosis, it's just that we've never ever envisaged them as being of a Ritz headliner status. Add to all that the fact that the much-fancied media darlings Heriot are sat slap bang at the bottom of the bill and the whole structure feels a little, odd.
Read MoreIf this tour was to be given a subtitle it would be ‘The Ascendancy of Metalcore’. You see it is not just sold out; spare tickets are changing hands for silly money and the Academy is heaving from the get go. Whilst many of us feel inclined to sneer at it and give it a verbal kicking where possible, metalcore is not just alive and well, it is slowly but surely becoming the dominant force in our world. Every band on this ticket are treated like royalty by an up-for-it and positively youthful crowd. Very much feels like both ascendancy and ascension, the moment the next generation take full charge.
Read MoreThe Great trilogies. Lord of the Rings, The Hunger Games books, Toy Story, the original Star Wars saga (yes we know, Ewoks, but Return of the Jedi is infinitely better than anything that came after). To that impressive lexicon, you can now add this tour of a holy Trinity of modern metal masters.
Pallbearer, Graveyard and Baroness are all doing something distinctly different in their individual musicality. They all reside in diverse corners of metal's grand and fertile landscape. What they do share and what makes this tour so appealing and also so cohesive, is a deep-seated seam of emotional intelligence. None of them trade in knuckle-dragging “beers and tits” brainless bravado. Instead, whilst the styles are varied and differential, they all sculpt music to make you think and in many cases music to make you cry. Put simply this is the wearing your heart on your sleeve tour.
Read MoreWhilst we in this country might have invented heavy metal, its stewardship has long since drifted north to the frozen plains of Scandinavia. Our Nordic cousins are now the dominant force in moving our beloved genre forward. The Nordic descent tour provides a perfect snapshot of the distinctly interesting and intriguing things our Scandinavian counterparts are doing with metal. Its very much a case of the anthemic (Hamerfo), the insular (Solstafir) and the downright outrageous (Oranssi Panzuzu).
Read MoreOver the years Therapy? have managed to be everything to everybody whilst also simultaneously staying true to themselves. They are the only band to grace the stages at both this country’s premier extreme metal and classic rock festivals (Damnation and Stonedead). By being happy to prostitute themselves wherever anybody would listen they have managed to confound the gatekeepers and cultivate a career that transcends any notion of genre. They are conclusive proof that good songs and a positive attitude trump everything.
Read MoreYou would have thought that after Slayer and Mötley Crüe both returned to the fray after having retorted that they were going for good, that we would have got wise to the wheeze of the farewell tour. Evidently not, as Sepultura’s final circumnavigation of the world sees them return as headliner to venues they last bothered nearly thirty ago, when it looked like “Roots” was about to catapult them to the higher plains of the metallic pecking order. It is a little uncertain though whether the sold-out signs are in situ because this is a last chance to see situation, or in direct reaction to their undercard. By dragging along the much-fancied Jesus Piece, the perpetually awesome Obituary and the in vogue and in demand Jinjer they have turned this into a super charged package tour that it is very hard to turn down.
Read MoreIt's fascinating how the entire inference of a tour can be altered by the simple switching of billing. The Pins and Knuckles’ sponsored Faces of Death tour was originally conceived as a co-headlining affair between Progressive metal core legends Veil of Maya and hotly tipped deathcore mainstays Signs of the Swarm. It was a nicely balanced mixture of genres that appeal to those who like to a bit core in their life. But then sadly Veil of Maya inconveniently went on immediate hiatus, Signs of the Swarm were promoted to singular headlining status, much fancied Danish deathcore proponents Cabal were given a berth and suddenly, Bob's your uncle, this tour leans much more towards a deathcore fan base.
Read MoreThe reverential position that Lacuna Coil now holds has been achieved through the complete antithesis to overnight success. Formed 30 years ago in Milan asSleep of Right they have slowly but diligently built a unified fan base. This is their ninth visit to this fair city and on each excursion to our beloved northern outpost they have subtly but significantly increased the amount of people present. This evening's patronage is to herald the arrival of their 10th studio album (and first in six years) which will see the light of the day early next year.
Read MoreFor all his household name and national treasure status, Alice Cooper is still very much an enigma. There are two distinct personalities at play. On the one hand, he is a Vaudeville showman, hawking around his macabre freakshow designed to shock and scare in equal measure. On the other hand, he is the custodian of probably one of the finest musical songbooks of the rock 'n' roll era. An Alice Cooper live performance is a fine-tuned balance between the two. As he sings in ‘Hello Hooray’ (sadly AWOL from tonight’s setlist) “Ready as this audience that's coming here to dream, Loving every second, every moment, every scream”. You go to Alice Cooper for a Circus of Horrors but packed with tracks that have perminated themselves into the rock lexicon. He is a living legend, with the musical credits to back up those credentials.
Read MoreNostalgia is a potent force. It’s your own personal Time Machine, allowing us to revisit the sounds and the essence of our past exploits. It also has highly redemptive and restorative powers. It allows the whitewashing of career indiscretions and focuses on the highs, while simultaneously burying the lows. Queensryche are case in point, as the 80’s morphed into the 90’s they seemed poised to join Maiden and Metallica in the really big league of metallic heavy weights. “Operation Mindcrime “had position them as the thinking person’s metal band and follow-up “Empire” increased tenfold their commercial clout, thrusting them into arena status. For a short smidgen of time they had the Midas touch and could do no wrong. Then grunge happened.
Read MoreSwedish melodic death metal, that most geographically defined of subgenres. It arose in the mid-90s when our music was at its lowest ebb. Grunge, "alt-metal” and the early spectre of nu-metal have swept away the more traditional confines of our world. Metallica seemingly had turned their back on everything they had built and had started wearing eyeliner and trying to sound like Alice in Chains and a Bruce-less Iron Maiden couldn’t even get themselves arrested.
Read MoreApocalyptica have spent over 25 years refusing to be typecast. Starting life as a classical style Metallica tribute act, their 1996 debut “Plays Metallica by Four Cellos” remains one of the most stunningly unique albums ever released. A further eight albums over a nearly 30-year career has seen them bring in a drummer and vocalist, write their own material and firmly break out of the mould of novelty cover act. All of which makes the decision to record a second Metallica cover album and tour it with a set list made up of exclusively Metallica covers both baffling and bold.
Read MoreIf Kyuss are Stoner Rock's Beatles (universally revered, rather pretentious, and no longer with us) then that makes Monster Magnet its Stones. There was always something a bit more organic, primal and downright sexy about Dave Wyndorff's crew that made them stand out from the other purveyors of mind-expanding space rock. Tonight is the start of a jaunt to celebrate 35 years of psychedelic riffs and cosmic baselines.
Read MoreAfter eight years of Rockflesh.com contravening grammatical structures, it is only inevitable that there will be repetition and repeat offenders. Whilst there is a myriad of acts that this here website has covered twice or thrice, there is only a handful of musical vendors that we have caught up with in numerous locations and on numerous occasions. A particular frequent flyer is those ubiquitous test-tube breed hard rockers, The Dead Daisies. There was a point before the pandemic when they seemed to be everywhere and had taken up squatters' rights in this country.
Read MoreDeath metal was envisaged as a repugnant knee-jerk reaction to the excess and blatant commerciality of eighties hair metal. It was meant to burn bright and leave a grizzled corpse. However, something caught and nearly 40 years later Death Metal is in rude health. Tonight is an interesting and potent mix of obnoxious upstarts, cult heroes and venerated legends of the genre. Rebellion is heaving and the generational mix is both fascinating and varied.
Read MoreRather than a case of "Wish you were here!", this evening is brought to you by "Why the hell weren't you here?”. You see Satan are simply astounding and it is an absolute travesty that not more of Manchester's metal fraternity are gathered in the cavernous confines of The Bread Shed to witness it. They manage to be astounding not in a rose-tinted spectacles nostalgia way, where you forgive the ravages of time in the light of being able to see living legends in the flesh.
Read MoreIt would have been eminently straightforward to stick identikit deathcore acts bands on this bill and placate the two-stepping masses. However, taking the easy route through life has never been how The Acacia Strain have rolled. As Vincent Burnett, there are lusciously charismatic frontman, intones during their set, this is all about being surrounded by your friends and Judiciary and Fuming Mouth are very much part of their posse, even if they do play significantly different variants of extreme metal. In fact, tonight is a masterclass in how diverse American extreme metal has become and anybody who dares to proclaim that it all sounds the same is simply not listening hard enough.
Read MoreFor anybody who grew up in metal in the late 80s/early 90s, Mr. Bungle were a disruptive enigma. They were spoken about with reverential hush tones as being a fiercely non-commercial bloodletting exercise so that Mike Patton could express his disdain at the unfeasible success story of his main band Faith No More. The bigger his day job became, the more he retreated into the anarchistic unpredictability of Mr. Bungle. For those of us being seduced by metals more avant-garde fringes, Mr. Bungle was an overtly enticing forbidden fruit.
Read MoreWhilst they may well be considered a "name" act, the influence and the impact of Jane's Addiction is incredibly underrated. We tend to look at grunge and bands such asSoundgarden, Smashing Pumpkins and the erstwhile Nirvana as being the architects of alt-metal and our genre’s early '90s U turn away from sword, sorcery, highlighted perms and blatant sexism. However, Jane's Addiction’s astonishing opening salvo of “Nothing’s Shocking” and “Ritual de lo Habitual” were released before either “Nevermind” or “10” had even been recorded and provided the foundations for the seismic and still resonating changes in metal’s DNA. You then add in the fact the first Lollapalooza package (the blueprint for the modern alternative music festival) was created in 1991 purely as a vehicle for Jane's Addiction's farewell tour, and you have a band that has single-handedly and with very little recognition shaped the current world we live in.
Read MoreHow the hell has a band as complex and as unconformist as Tool become a mainstream affair? Usually, when an act reaches a point where it is selling out arenas and headlining festivals, it has had to forego a chunk of its authenticity and individuality to do so. This is not the case with Tool. There has been no candlestein deals with the devil using the currency of souls. This evening in Manchester they exhibit the same level of authenticity that they had when they formed 34 years ago. They have not changed or budged in their eccentric uniqueness, yet fame, fortune and adulation have sought them out without them having to move an inch.
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