Sometimes the bit before Christmas is actually better than Christmas itself, and when a gig showcasing three of the UK’s best genre-blending metal bands is offered up the weekend before the big day you can’t help but think you’ve been given your presents early. Rapidly rising nu-metal modern metal deathcore champions Graphic Nature have brought to Manchester the superb crossover melodic thrash of Grove Street and the triumphant return of the angular hardcore rock metal giants Feed The Rhino.
Read MoreEvery band reaches a tipping point, where their rapid ascendancy slows, and they enter that “selective appeal" phase. It is the law of diminishing returns, the moment where the number of fans losing interest due to age, indifference and evolution of musical tastes outweigh the accumulation of new devotees. It is the point where stadium-sized bands recede to arenas, where those bothering Apollo's shift to Academies and festival headliners become special guests or even worse inhabit the dreaded "Legends" slot, an abomination designed to preserve the egos of artists yet to fully comprehend their decline. What is astonishing about Slipknot is that 25 years in they are still accelerating. They have a momentum that continues to gather both pace and followers to this very day. For some inexplicable reason, this group of mask-wearing grandad's well into their fifties are still able to speak to the freaks, geeks and disenfranchised of the generations below them.
Read MoreThe golden rule of music journalism is to remember that no matter who the act is and no matter how lowly the circumstances that you are covering them in, for someone somewhere they are their favourite band ever. Evergrey svengali Tom Englund is the first to admit that tonight’s showing is rather disappointing. “Next time we come you bring your wives, your girlfriends, your boyfriends, your drug dealers, your lawyers, bring anyone” he deadpans during the set. However, despite the attendance being at a level where everybody needs to keep their coats on (including a fellow with a remarkably multicoloured jacket that captures Tom's eyes), the atmosphere is exceptionally buoyant and scintillatingly succulent. This is because for those who have made it out to central Manchester on a cold Monday night, Evergrey are either their favourite band or at the very least making great swipes at holding that accolade.
Read MoreThe Darkness have been a fixture in UK popular rock’n’roll circles for numerous years now. Known for their spandex, ludicrous videos and songs, and dynamic range of vocals from charismatic frontman Justin Hawkins. So, when we were given the chance to cover their super special, intimate and early promo gig for forthcoming album ‘Dreams on Toast’ it was an opportunity we couldn’t believe we’d been afforded.
Read MoreAnd here we are, yet another intriguing package tour bringing together three bands that exist within this genre but are doing decidedly different and inventive things within its conventions. Alcest, Svalbard and Doodseskader all distinctly exist within our world, but all feel duty-bound to stretch and contort its conservative confines. The former act as headliner for this jaunt, and even though they last dropped anchor in this very room just over 12 months ago, this distinctly unconventional cavalcade draws a mighty impressive crowd for a Wednesday night this close to Christmas.
Read MoreOur perceptions of New Orleans is as the birth place of Jazz. That funeral scene from Live and Let Die looms large in our collective cultural iconography. But New Orleans has a musical underbelly, an “upside down” that is the ying to the more well-known yang. In the form of Eyehategod and Goatwhore it has cultivated two of the most iconic American extreme metal acts to emerge out of the desolate wastelands of the nineties. Both are still stridently underground and unfettered in regard to wide stream regard and appeal, but the staggering young demographic at play here tonight shows that they are both making great strides in a market that wasn’t even born when they both emerged.
Read MoreFuture Palace are riding high across Europe with the surge in popularity for genre-mashing female vocal-led modern pop metal bands. They’ve been touring hard for a long time now, and find their way to Manchester for only the second time and first headlining. It’s a cold, wet and nasty night, but that doesn’t stop the crowd from getting along to Rebellion for the sold-out show for not one but three up-and-coming German bands.
Read MoreOn a wet and windy Wednesday night, the unassuming Student’s Union bar at the Manchester 2 is flooded with devoted death metal fans embarking on a peculiar pilgrimage. Positioned in a dimly lit room tucked away up a staircase and around a forgotten corner; Dying Fetus lead the charge on this unruly bill, with Salt Lake City’s Chelsea Grin, deathcore collective Despised Icon, and opener Vitriol. Before the show, the PA system pulsates out strictly cheesy dance and disco, the bass reverberating, tantalising the crowd with what’s to come. The excitement is infectious; a legion of black shirts emblazoned with scrawled, hard-to-decipher names, the echoes of the genre’s underbelly, dancing to Darude’s ‘Sandstorm’, a fitting prelude to the chaos about to unfold.
Read MoreOn paper the billing for this evening’s show feels distinctly skew-whiff. Fit For An Autopsy are on a quite impressive upward trajectory. They have broken free from the confines and the preconceptions of Deathcore and have cemented themselves a berth in the one-to-watch category. Pairing them as a co-headliner with Sylosis on the face of it feels mismatched because, well Sylosis have been around forever without ever really making their mark. It's hard to imagine a British metal scene without Sylosis plugging away in its lower echelons trying to make a name for themselves. Don't get us wrong, we at ROCKFLESH Towers love Sylosis, it's just that we've never ever envisaged them as being of a Ritz headliner status. Add to all that the fact that the much-fancied media darlings Heriot are sat slap bang at the bottom of the bill and the whole structure feels a little, odd.
Read MoreSleep Token have continued to rocket higher and higher since that very first time I saw them as a secret act at Tech Fest 2018. Back then it was only their eighth live performance and I still didn't quite know what to make of them. Fast forward past plenty of support slots, headlines and festival appearances and we have them headlining an arena and poised to headline Download Festival in 2025. They have also now become one of my favorite bands, with a stunning live act and a collection of three albums that fully showcase their diversity.
Read More“I think my eyeliner’s running…”
There are not many bands that can reduce a hardened rocker to tears.
But when The Damn Truth last played the Waterloo, twelve months ago, that’s precisely what happened. Stood in the crowd with tears in his eyes, he wasn’t the only one to be caught up in the emotion of this incendiary, emotionally charged and supremely talented band. For many, that night was their first time seeing the band, although everyone left a convert, utterly blown away by what they’d witnessed. This time around, the crowd is bigger, no doubt driven by the evangelical fervour that The Damn Truth foster in their fans, a fervour that means you’re going to tell absolutely anyone who’ll listen about just how utterly wonderful they truly are. That so many are gathered in the intimate surroundings of the Waterloo’s Backstage Bar, over ninety minutes before the doors even open is proof of that, if indeed any proof was needed.
Read MoreIf this tour was to be given a subtitle it would be ‘The Ascendancy of Metalcore’. You see it is not just sold out; spare tickets are changing hands for silly money and the Academy is heaving from the get go. Whilst many of us feel inclined to sneer at it and give it a verbal kicking where possible, metalcore is not just alive and well, it is slowly but surely becoming the dominant force in our world. Every band on this ticket are treated like royalty by an up-for-it and positively youthful crowd. Very much feels like both ascendancy and ascension, the moment the next generation take full charge.
Read MoreThe Great trilogies. Lord of the Rings, The Hunger Games books, Toy Story, the original Star Wars saga (yes we know, Ewoks, but Return of the Jedi is infinitely better than anything that came after). To that impressive lexicon, you can now add this tour of a holy Trinity of modern metal masters.
Pallbearer, Graveyard and Baroness are all doing something distinctly different in their individual musicality. They all reside in diverse corners of metal's grand and fertile landscape. What they do share and what makes this tour so appealing and also so cohesive, is a deep-seated seam of emotional intelligence. None of them trade in knuckle-dragging “beers and tits” brainless bravado. Instead, whilst the styles are varied and differential, they all sculpt music to make you think and in many cases music to make you cry. Put simply this is the wearing your heart on your sleeve tour.
Read MoreAnthrax. Kreator. Testament. Whilst these three massive names in thrash might be lumped together by the uninitiated, they are in fact dramatically different takes on a genre that has always been a prime example of metal's ability to evolve. The question is though - is it a bit silly having three headliners starting from 6:30, or is it just damn good value for money?
Read MoreWhilst we in this country might have invented heavy metal, its stewardship has long since drifted north to the frozen plains of Scandinavia. Our Nordic cousins are now the dominant force in moving our beloved genre forward. The Nordic descent tour provides a perfect snapshot of the distinctly interesting and intriguing things our Scandinavian counterparts are doing with metal. Its very much a case of the anthemic (Hamerfo), the insular (Solstafir) and the downright outrageous (Oranssi Panzuzu).
Read MoreOn a freezing Tuesday night, fans of Wheel are treated to an extensive, value-packed set, rewarding those who braved the cold for the Finnish-based prog-metal band. For some, the dedication runs even deeper - like our Scottish mate, who made a 7-hour round trip from Scotland just to catch their performance!
Read MoreWithin Temptation are now an arena band. Quite an impressive step up in just two years time from supporting Evanescence’s arena tour in 2022 to holding the headliner slot all their own. This Dutch symphonic metal band are known for delivering a concert that feels like an immersive, theatrical journey through mythological realms and the universe itself, blending heart-pounding metal with sweeping orchestral arrangements, and stunning visuals to enthral audiences.
Read MoreHailing from the heavy heartland of Northern England, Xentrix stands as a testament to the raw, relentless energy of thrash metal. Forged in the 80’s, this iconic band has terrorised the scene over many years, more than earning their place in the thrash metal pantheon, leaving an indelible mark with their distinctive sound, blistering riffs, provoking lyrics, and a commitment to pushing the boundaries of the genre.
Tonight in Manchester, Xentrix are set to perform their seminal album, “Shattered Existence”, in its entirety, for the final time, as the tour ends here.
Read MoreOver the years Therapy? have managed to be everything to everybody whilst also simultaneously staying true to themselves. They are the only band to grace the stages at both this country’s premier extreme metal and classic rock festivals (Damnation and Stonedead). By being happy to prostitute themselves wherever anybody would listen they have managed to confound the gatekeepers and cultivate a career that transcends any notion of genre. They are conclusive proof that good songs and a positive attitude trump everything.
Read MoreThe early Noughties gave us nu-metal and alternative metal in the bucketload, and tonight we travel back to that era with four big hitters of that time taking to the stage in Manchester. SOiL were one of the names you’d see on all the tours, festivals and magazines, and they’ve endured long enough that they headline this collection of riffing and metalling from back when.
Read More