The wheels have come off The Wildhearts juggernaut so often that it is a wonder they are not sponsored by kwickfit. Ginger Wildheart is a self-proclaimed difficult man to work with, who has an undeniable knack of surrounding himself with difficult to work with people. The latest reunion of the classic line lasted 4 years, 1 pandemic and 2 rather spiffing albums, grinding to a halt in 2022 in flurry of mutual acrimony. Whilst lived experience has taught us to never count The Wildhearts out, this KO felt particularly final. So we were all really rather taken a aback when an all new version of the band arose from the ashes last year. Whilst Ginger is the one constant in this iteration of the band, it is a very different version of the Geordie workhouse. This is a happier, healthier Ginger who has shed both physical and emotional weight to look, god forbid, like he is actually enjoying himself.
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Vukovi have been working hard in the music industry for fifteen or so years, but if feels like their time has finally come with 2022’s ‘Nula’ and now January’s release ‘My God Has Got a Gun’. Their live shows have always been stunningly dynamic and enthusiastic, and they have an ever better array of slamming tracks to deliver on the bigger stages as headliners now.
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Let's put this marker down now. Green Lung will headline Bloodstock, they will headline Download and they will eventually, and potentially eventfully, headline Glastonbury. Now we at ROCKFLESH aren't in possession of a crystal ball but we are steadfast in our certainty of this for three reasons. 1)They are utterly incredible this evening as will be attested further on in this diatribe. 2) Their speed of evolution as a band is frankly astonishing. Midway through tonight's show, Tom Templar recites a roll call of the venues that they have played in this city during their journey to the Ritz headliner status. Green Lung have done their growing up in the glare of the public eye and the band before us now is a completely different beast the one played Star & Garter in 2019 or even the one we witnessed supporting Clutch at the Academy in 2022.
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The O2 Ritz is rammed tonight to witness a solo outing from guitar superstar Mark Tremonti. Known as a founding member and songwriter of both Creed and Alter Bridge he also has a parallel solo career that spans some 14 years and six albums. So the question on everyone’s lips tonight isn’t “is he any good?” – that’s kind of a given. It’s more along the lines of “just how good is he?”
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You can probably tell just from the band names what kind of music we are in for tonight. Gloryhammer came to be back in 2010 as the side project of Alestorm singer and keyboardist Chris Bowes, and since then, they have released a slew of vaguely related concept albums in which various band members assume characters in the ongoing story. Despite some social media controversy following the departure of their original singer, they have weathered the storms that surrounded them and come through more or less unscathed to provide us with entertainment tonight.
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On paper the billing for this evening’s show feels distinctly skew-whiff. Fit For An Autopsy are on a quite impressive upward trajectory. They have broken free from the confines and the preconceptions of Deathcore and have cemented themselves a berth in the one-to-watch category. Pairing them as a co-headliner with Sylosis on the face of it feels mismatched because, well Sylosis have been around forever without ever really making their mark. It's hard to imagine a British metal scene without Sylosis plugging away in its lower echelons trying to make a name for themselves. Don't get us wrong, we at ROCKFLESH Towers love Sylosis, it's just that we've never ever envisaged them as being of a Ritz headliner status. Add to all that the fact that the much-fancied media darlings Heriot are sat slap bang at the bottom of the bill and the whole structure feels a little, odd.
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The Ritz is hosting progressive symphonic titans Kamelot tonight, alongside a host of bands promising to deliver an evening of mystic allure. It’s a hefty four band bill, and Frozen Crown took the stage first, and with a formidable presence. Unleashing a torrent of epic soundscapes that seamlessly blended heavy metal with soaring melodies. This Italian power metal band is helmed by lead vocalist, Giada ‘Jade’ Etro, showcasing her range and charisma, effortlessly belting out powerful ethereal high notes, accompanied by virtuoso guitarist turned vocalist Federico Mondelli.
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Sometimes you just want a melodic alt-rock band that delivers soaring clean vocals and catchy sing-along tunes – enter a reunited Mallory Knox. A ten-year anniversary tour of album ‘Asymmetry’ has come on the back of reunion dates at SlamDunk, and tonight gives the Manchester fans another chance to dance and sing along to all the classics from the Cambridgeshire rockers.
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There’s a notable and eager queue outside the venue as they patiently wait for the doors to open on The Ghost Inside headlining in Manchester once again. The whole bill tonight is a mixture of variations on hardcore and metalcore, and for each band there are elements that set them apart from their peers stylistically and visually.
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If Kyuss are Stoner Rock's Beatles (universally revered, rather pretentious, and no longer with us) then that makes Monster Magnet its Stones. There was always something a bit more organic, primal and downright sexy about Dave Wyndorff's crew that made them stand out from the other purveyors of mind-expanding space rock. Tonight is the start of a jaunt to celebrate 35 years of psychedelic riffs and cosmic baselines.
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After eight years of Rockflesh.com contravening grammatical structures, it is only inevitable that there will be repetition and repeat offenders. Whilst there is a myriad of acts that this here website has covered twice or thrice, there is only a handful of musical vendors that we have caught up with in numerous locations and on numerous occasions. A particular frequent flyer is those ubiquitous test-tube breed hard rockers, The Dead Daisies. There was a point before the pandemic when they seemed to be everywhere and had taken up squatters' rights in this country.
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It feels like an age since the always impressive Northlane got across to us headlining, and this time they’ve brought a killer lineup in the form of Novelists and ten56. It’s a bill packed full of unique and dynamic takes on metal sub-genres – each with a distinct and immediately recognisable style and unmistakable technicality.
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Now that Matt Skiba's substitute stint in Blink 182 has come to an end, it is time for Alkaline Trio to once again take the full extent of his attention. Over a warm mancunian weekend they have managed to sell out the Ritz for a second time on this particular jaunt around the shires despite competing distractions such as Radar festival (which ROCKFLESH are also covering, review HERE) and two comic cons.
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Body Count are a legendary force in the rap-metal scene, and their live shows are a testament to their enduring influence. In an era where genres constantly evolve and blend, they stick to their roots, delivering raw, unfiltered rap-thrash-punk rock that calls back to the origins of the genre while resonating powerfully with modern audiences.
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For anybody who grew up in metal in the late 80s/early 90s, Mr. Bungle were a disruptive enigma. They were spoken about with reverential hush tones as being a fiercely non-commercial bloodletting exercise so that Mike Patton could express his disdain at the unfeasible success story of his main band Faith No More. The bigger his day job became, the more he retreated into the anarchistic unpredictability of Mr. Bungle. For those of us being seduced by metals more avant-garde fringes, Mr. Bungle was an overtly enticing forbidden fruit.
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LANDMVRKS blew us away when we saw them live for the first time headlining Rebellion in 2022. Tonight, they step-up to the O2 Ritz and bring with them a stellar undercard as well. The night is a wonderful example of the best melodic metal-hardcore from across the world, with heavy riffs, classic hardcore vocals and anthemic melodies a plenty.
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Supergroups are never designed for longevity. They exist either as a water-treading exercise for name artists to fruitfully pass time whilst they wait for their main bands to reform or as an egotistical wish-fulfilment vehicle allowing musicians from different genres to work together without upsetting the apple cart of their day jobs. In celebrating 35 years of existence Mr. Big are the exception that proves the rule. Long ago they evolved beyond being a musical distraction for their constitute members and instead Mr. Big has become the thing that Billy Sheehan, Paul Gilbert and Eric Martin are now most well-known and revered for. Mr. Big have achieved the thing that very very few supergroups ever aspire to, as a whole they equal more than their individual parts.
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This is Polaris’ first appearance in Manchester since their now semi-legendary show at the Academy 2 back in September ‘22. In the intervening eighteen months the band has had drastic highs, including opening While She Sleeps’ massive headline bash at Ally Pally and snagging a main stage berth at Download ‘23, as well as drastic lows with the tragic passing of lead guitarist Ryan Siew in June 2023. But they have dusted themselves down and they are now back keeping his memory alive touring their amazing new album “Fatalism”.
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It doesn’t take too long as Harpy’s set gets underway for the whole venue to be filled with smoke and that mixed with red atmospheric lighting means it’s hard to make out what is happening on stage. What I can see is she is a girl after my own heart, absolutely rocking the long black hair, liquid eyeliner and PVC outfit. Described as industrial/ goth pop, her soaring vocals remind me a little of Cassyette with musical undertones not dissimilar to A Perfect Circle, and a strong message in songs such as ‘Swallow’, which is about turning pain into power when you suffer abuse at the hands of another.
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Phew. A clash of happenings sees me dash to the Ritz just in time to catch the last couple of songs from Californian trad-metal trio Night Demon. This is a shame, because based on their self-titled set closer and the half a song I saw before it they are pretty damn good. They have flying vs, flying hair and a shirtless drummer. The sound is very solid early 80s British-influenced rock.
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